I'm sure many of you have seen this channel, but it seems fairly recent and looks to be a pretty in depth look at building an archtop guitar from Ken Parker, for this that haven't here's a link.
Give up the news folks, itās liberating!
Thanks for posting the link. Second arch top is on my list of jobs (the list of 1000 jobs). My first effort was a practice using wood from the local wood yard so planning to use some very old cello wood next time, purchased in 1988. I struggle to think of arch tops as a finger style instrument mostly because they are designed to play big band plectrum style.
My advice for what itās worth is not to make one unless thatās the style someone wants to play, or unless a pick up is being added to give volume. The finger boards can also be narrow and are designed for jazz chords and have narrow spacing at the bridge.
I have plans and templates for the pre war Epiphone Spartan and can include them with the LP plans if you like.
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Some people call me a tool, others are less complimentary. Tools being useful things.
I love the style - shape, curves, etc - from an art/design perspective.
But I'm not so sure that I'd ever play one, ie whether the sounds and feel would work for me.
Still tempted to build something like that though, just as an objet d'art to hang on a wall ...
Online guitar making courses ā guitarmaking.co.uk
My advice for what itās worth is not to make one unless thatās the style someone wants to play, or unless a pick up is being added to give volume.Ā
Thatās kind of a funny statement, I never thought of it that way.
Iām not an archtop player nor a jazz lover however I do like both. Thereās something about the archtop guitar that appeals to me, they have a coolness about them and they can be quite loud. I like smooth jazz and some of the busy, fast run type stuff but when they take off for Mars I tend to get a little sleepy...
Practice on scrap...
Getting volume from an acoustic arch top is tricky itās all in the arching and tone bars, as Marks says itās a totally different construction method to flat tops.Ā
I like gypsy jazz but not experimental 60s 70s it doesn't seem to have a form.
The sides are shallow about 3 inches so it doesnāt give the same right arm ache as prolonged playing on a jumbo acoustic.
Some people call me a tool, others are less complimentary. Tools being useful things.