can't see where to click anywhere......
@forcesterbill No I think the PM function has been taken away or hidden by admin. Is this intentional @markbailey or accidental?
Make guitars, not war 🌍✌️🎸
I think you’re next in line to test drive the review model jig?
I’ve given it a test drive or two, and @darrenking is tweaking it very slightly based on the feedback, but it’d be good to have someone else take a look at it too.
Just need your address and I’ll re-parcel it and get it sent to you. If you don’t want to post your addy here (don’t forget, you can’t edit posts afterwards), email it to Darren via his website, and he can send on to me.
I’ll be adding a review here (and elsewhere) shortly .... but suffice to say that I’ll happily buy one when they’re in stock.
Online guitar making courses – guitarmaking.co.uk
The fret slot jig from @darrenking that @tv101 sent me is an excellent prototype. My first impression was that it is an intuitive design so leaves little for the user to figure out. I say if you can get something out of the box and use it without any major issues, it’s a winner!
I ran my fretboard blanks through the planer to get them to 6mm. Now they are ready to go into the jig.
Make guitars, not war 🌍✌️🎸
I took a measurement from the fret tang length with my callipers, I then transferred it to the adjustable parts for the saw height. These are easy to loosen/tighten with a #3 Alan key. I lowered each piece by the amount measured with my callipers.
Make guitars, not war 🌍✌️🎸
The scale length template that you insert into the jig, houses the fretboard blank, using NEC tape (not the masking tape trick!) 🤣
The scale length is determined by a pin that is located in the base of the jig in the right hole that corresponds to the correct scale length on the template. The template has six different common scale lengths accurately marked out.
Make guitars, not war 🌍✌️🎸
Hi Boo,
Thanks for the glowing review and for taking the time to post the video. It was really great and I'm pleased that you found the jig easy to use and robust enough for the job. I like the occasional bit of 'over engineering' but there is a very real difference between adding value and simply adding production cost. Hopefully with this jig I have managed to maximise the first aspect and minimise the second.
I am now laser engraving the range of templates and the rest of the batch of saws has arrived (don't you just love traditional English companies that still box everything in 12's!) so everything is very nearly ready to go. Without wanting to make things tooooo complicated I have ended with 5 different templates which, I hope, cover most popular acoustic, electric, baritone and bass scale lengths and they certainly give a much wider range than is available from our favourite North American outlet. I will post pictures showing what's on each once I have finished the lasering. How many of us/you have been longing to make a Fender Jaguar copy with the historically correct scale length is a question that I can't answer other than to say, you have no excuse now!
I'll also post a set off to Mark to get his feed back.
Thanks again and see you in class sometime soon!
Cheers
Darren